Among his most notable work is the artwork for the British punk band's classic 1977 song God Save The Queen which featured a young Elizabeth II with the record title plastered across her eyes and mouth.
The designer helped curate the aesthetic of the punk rock era with his approach of using letters cut from newspaper headlines in the style of a ransom note.
"We sadly announce the passing of Jamie MacGregor Reid January 16, 1947 - August 8, 2023; artist, iconoclast, anarchist, punk, hippie, rebel and romantic," Reid's gallerist John Marchant said.
"Jamie leaves behind a beloved daughter, Rowan; a granddaughter, Rose; and an enormous legacy.
"Universal majesty, verity, love, infinite."
Born in Croydon, London, in 1947, he went on to study at Croydon Art College where he was involved in a student protest in 1968 alongside the band's soon-to-be manager, Malcolm McLaren.
After leaving college, he co-founded the political magazine Suburban Press where he developed his style of cut-up graphics and slogans.
In late 1975, McLaren asked him to work with the Sex Pistols and he went on to design a great deal of their artwork.
His most known pieces include the cover of their 1977 album Never Mind The Bollocks, Here's the Sex Pistols, which featured a yellow background with the first half of the album in block capital lettering and the band name in the ransom note style.
Former Sex Pistols bassist Glen Matlock paid tribute to Reid in a post on X, the platform formerly known as Twitter.
"So sad to hear the news of Jamie Read's passing away," he said.
"He was an immense talent, a great guy and will be missed.
"A privilege to have known him."
Reid also designed the artwork for some of the group's most popular singles including Anarchy In The UK, Pretty Vacant and Holidays In The Sun.
The artist also created album covers for bands such as the Afro Celt Sound System and engaged visually with socio-political groups including Occupy, Extinction Rebellion and the Free Pussy Riot movement.
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